spotlight Jeff Serdins Logo spotlight
This Is My Gear
Jeff's Gear Page
Carvin Steve Vai Legacy

"Lexy"

I needed a small combo to use for jams and super small clubs. Since Steve (Mikes) is such a great guy, he not only lets me use his Fender Super Reverb combo's whenever I need to, But he bought this killer dirty amp for me for Christmas! I had Calzone make a custom case for it to keep it new. It is so small "anti me" meaning no walls behind me. Don't let the size fool you, this amp rocks.


The Marshall Rack

Case #2 "Little Bro"

In a nutshell I have three different amp rigs. When used alone, Case #2 is my small rehearsal or small club rig. The Marshall amp is A/B switched with the Bandmaster. I use a Whirlwind multi-selector. The Marshall is for dirty stuff and the Bandmaster is for clean. Real simple and sounds great. When I combine the racks, I use the GCX to switch all of my amps. The Calzone road case keeps them safe and easy to transport.


The 5150 Rack

Case #1 "2 Ton Tessy"

When used alone, Case #1 is a bit more creative. The DMC Ground Control GCX unit enables me to switch both heads and all of its functions (such as vibrato, channel switching, reverb, and the effects loop) via MIDI, I split the signal between the two heads with the Digitech Harmonizer located in the case. The 5150 is responsible for all of the distortion and the Bandmaster does the rest. High-tech switching meets 1964. A Really cool and efficient system. This custom Calzone case keeps the amps and the two effects safe and easy to transport.

P.S. Paul at Calzone, "I love the little drawer you put in this case".


Main Guitar Rack

The Rack "Fridge"

I designed this rack to be multi functional. Since I do a lot of session work, clinics, and touring I needed to make my effects rack self sufficient. Self sufficient meaning that I can use the rack by itself. My MosValve and Rocktron power amps and my choice of three pre-amps supply the tone and the power to drive my effects. My pre-amps are the ADA MP1, the Mesa Boogie Triaxis, and an old Gallien Kreuger CPL 2000. The ADA and the Triaxis are both MIDI programmable pre-amps. They are powered by the MosValve and do most of my session work and clinics. The Eventide is like an instrument in itself. I actually use two of them together. I use it as much as I use my strings. When I am not using it as a harmonizer or reverb, it is used to just split my stereo signal and fatten up the sound.

Pictured in the rack from top to bottom is:

  • Furman PL8 plus
  • Korg DT1 Pro Tuner
  • BBE 362 Sonic Maximizer
  • Aphex Quad Noise Gate
  • GCX Midi Amp Switcher
  • TC Electronics G-Force
  • Mesa Boogie Triaxis preamp
  • Eventide H3000 D/SX Harmonizer
  • Eventide H3000S Harmonizer
  • Rocktron 120 Stereo Power Amp that is used as a back-up for the Bandmasters
  • My monster Mosvalve 500 watt Power Amp

There are some secret weapons in the back of the rack. I will gladly show you them if you ask me at one my guitar clinics.

Special thanks to Tube Works for the indestructible power amp.
Over 15 years of road abuse, and not even a burp!


My Racks

The Big Show

Main Guitar Rig

Updated Picture Of Guitar Rig 2.10.06
I added another rack as a back up to my main guitar rack. It is the one on the bottom right. The small rack on top of the amp rack is my Sennheiser wireless and a Furman PL-8. It just keeps growing and growing. I have a problem!!

When I combine it all together for the big shows or sessions, I have everything going through my GCX and DMC Ground Control unit. This enables me to switch between any amp or combination of amps, any effect, any pre-amp, or everything all at once. It is a dream come true. It gives me total flexibility and the ability to reproduce the tone I hear in my head. It is a must see to believe, state of the art guitar rig.


Another Brick in The Wall

No system is complete without the speakers, so here is a shot of my Brick Wall of sound that has become my trademark. They are six custom made and painted Dynacoustics 4x12 cabinets. The bottoms are loaded with ElectroVoice speakers and the top cabinets are loaded with Celestion Vintage 30's. When I have the whole rig set up on a stage that is big enough, there is also a Brick Wall backdrop that connects the two speaker colums with the amp and effects rack lined up between them. Special thanks to Tommy Riley of Dynacoustics for his great work.


The System

The Whole Magilla

This is a shot of the whole system, minus two 4x12 cabinets and except that at a real gig I normally don't place any of the racks onstage. My six 4x12 Cabinets take up a lot of room. We put my racks either on the side of the stage facing me, or offstage near my Tech. The combined width from one end to the other with everything properly positioned is over 17 feet!

Whole Magilla 2

The Whole Magilla Live On Stage


The Old 1998-2003 Custom Pedalboard - Midi Controller

Pedalboard


The New Custom Pedal Board - Midi Controller

New Pedal Board
I had Calzone make me a customized road case for my pedal boards. I use a DMC Ground Control MIDI foot controller for a combination of rack effects and amp switching with a GCX (Ground Control Expander) switcher in the rack. I use the Bad-Horsie Wah, a Digitech Whammy, A Zoom Expression Pedal to adjust the parameters on the Triaxis while I am playing, and a Vari Drive for some cool "unlimited" sustain. My brother Mike made me a special mini-rack for the pedal board road case in which the Ground Control and other controllers are neatly mounted with electrical wiring. Everything is pre-wired - all I have to do at the gig is just take the cover off the road case, plug into a power outlet and patch my guitar into the pedal board input and another MIDI cable patch to the rack, and it's all set. Takes only about 60 seconds!


Pedal board 2

Custom Pedalboard 2 - The Wah Board

This Pedal Board contains my Bad Horsie Wah, a Digitech Whammy Pedal, Boss Chorus, Tube Screamer, and an A / B box to switch between guitars / wireless. It is positioned side by side with my midi contoller board. It can be used alone with my combo amp or any of my amp racks. I basically use it when I am not using the racks.


Secret Weapons

Secret Weapon #1 is not pictured. The vintage Fender Bandmasters are fed into two Cab-Tones. These are cabinet simulators that send a line level out to a rather large 500 watt MosValve stereo power amp. The end result is a pre-CBS Bandmaster on steroids. I can also send a direct feed to the house system and choose an open or closed back cabinet simulation. Come on down and see me play to find out my other secret weapons.


 
Home / Bio / Photo Gallery / Gear / Management / Contact / News / Videos / Links / Jeff & Friends / Daily Word
 
cross
Copyright (C) 1999-2009 Jeff Serdins, Inc., All Rights Reserved
No portion of this web site may be reproduced without express permission
Web Design by Yahweh Talent